STARING INTO THE SUN (2023)

A person wearing a blue short-sleeve button-up shirt, a blue and white cap, and red glasses stands against a plain light-colored background with hands on hips.

28 APRIL - 19 MAY 2023

Given it is their primary source of light, photographers almost always consider the sun. Yet they seldom directly photograph it as a subject. Sungazing is sometimes enacted as part of spiritual or religious practices, or as an alternative therapy, most often near dawn or dusk. However, it is considered extremely dangerous, and impossible to look at the sun for any length of time without damaging one’s vision or going blind.

Luke Foley-Martin’s exhibition combines real photographs of the sun with hand-made abstract simulations of celestial bodies created in the darkroom. Influenced by heliography and selected works by Hiroshi Sugimoto, Nicolai Howalt and Hiroshi Yamazaki, in ‘Staring into the Sun’ Foley-Martin risks his own eyesight to explore spaces between the real and imagined, vision and blindness.

A close-up photo of white text on a dark background, partially reading “STARING INTO THE S” and “UKE FOLEY-MART,” with a bright light reflection obscuring part of the text.
A white gallery wall displays four framed abstract artworks featuring colorful, glowing circular shapes on dark backgrounds. The gallery has a concrete floor and track lighting on the ceiling.
A white gallery wall displays seven framed abstract prints featuring geometric shapes in bold colors like yellow, green, red, black, and blue. The gallery floor is concrete, and track lights are mounted on the ceiling.
A black background with bold white text advertises an art exhibition. Three colorful, abstract circles in red, pink, and blue float on the right. Event details and dates are listed at the bottom in large white type.
A white two-story building with large windows and a black entrance labeled
A white-walled art gallery displays two abstract framed prints. The left print has green, yellow, and purple tones; the right print features red and purple shades with a black dot. The floor is light-colored concrete.
Two framed abstract artworks hang side by side on a white wall. The left image features a large blue circle, while the right image displays overlapping circular shapes in blue, red, black, and purple tones.
A poster with a blue background and a bright circular gradient advertises